Ryan Agate of O’Brien’s

obriens

Last night, I took my Venue Management class from Bay State College to O’Brien’s Pub to talk to the booker Ryan Agate.

Ryan has over a decade of experience booking various rooms in the Boston area. Mainly focused on smaller venues/bands, occasionally he will work in bigger rooms.

I’ve known Ryan for around 10 years and have never had a bad experience dealing with him.

I asked him to talk to my class about O’Brien’s, how booking works, and how the shows work there.


O’Brien’s is a 70 capacity small club located in the heart of Allston, MA. It’s mostly 18+ during the week and 21+ on weekends. It’s open every night of the week and usually features 3-4 bands.

As the booker for O’Brien’s, Ryan is the first line of contact for many of the newer bands in the city of Boston. It’s where a lot of bands play their first show or their first few shows. A lot of bands come to him with a full line-up in mind, but if not, he’ll do his best to pair your band with other like-minded bands.

The deal at O’Brien’s is so reasonable ($75 on weeknights / $100 on weekends) that any band that can bring 10-20 of their friends out to the show is going to walk with some money at the end of the night.


Ryan, what do you look for in new bands that you book?

When looking for new bands, we want people who are passionate about the music they make and are excited to play, but on top of it all, are easy to work with. As I always say, a smile goes a long way!

What’s the best way for a band to get a show at O’Brien’s?

Bands can reach me at obriensbooking[at]gmail.com

How far in advance do they need to contact you?

For weekends, 3-4 months out, as much as I hate that. For weekends, 2-3 months usually works, but there are always last minute changes.

Anything else new bands should know about playing shows at O’Brien’s?

A good attitude always helps!


Check out obrienspubboston.com for a schedule and more information.

 

Dan Shea and Sam Potrykus of Boston Hassle / BRAIN Arts Organization / Boston Compass

BostonHassle

I had the honor of hosting Dan Shea and Sam Potrykus in the Venue Management class I teach at Bay State College on Monday.


Dan Shea started putting on shows in Boston in 2001. He heads up the 501(c)(3) non-profit BRAIN Arts Organization as well as the Boston Hassle website and event series and has put on shows at various and myriad sympathetic music (and otherwise) venues all over the Greater Boston area. He throws a number of festivals each year, including Boston Hassle Fest.

He is also the Music Editor of the Boston Compass, a listing of local underground shows and unique art / film/ comedy experiences & a medium for different kinds of 2D art distributed for free throughout the greater Boston area.

As director of the  Dan also plays music, writes for NPR’s The Artery, and lives in JP with his wife and son.


Sam Potrykus started putting on shows in the greater Boston area in 2005. He co-runs the Bodies of Water Shows and Boston Hassle Shows entities which host between 5-12 shows a month in the area. He has put on shows at various house venues, rents function halls and VFWs, finds alternative spaces such as art galleries and churches, regularly books at clubs and bars like Great Scott, The Middle East, and O’Briens and has recently begun doing shows at The Sinclair. He and his partner Dan Shea book and run an annual festival – Boston Hassle Fest. – now in it’s 7th year.

He is the Editor-In-Chief of the Boston Compass newspaper, a listing of local underground shows and unique art / film experiences distributed for free throughout the greater Boston area. He is also the director of the BRAIN Arts Organization.


We spoke about Dan’s background, how he starting going to shows at The Rat as a teenager, how that led him to look for more alternative viewpoints expressed in music, and how that led him to booking house shows and alternative venues.

Sam spoke of throwing shows at his parent’s house and touring as a 16-year-old and how that took him on a 45 day tour of the States. He got to see all the awesome things happening in other cities and wanted that for Boston.

Dan and Sam have put on shows in houses, churches, Elks lodges and VFWs, art galleries, video stores, warehouses, tv studios, schools, and community centers. While they do throw shows in more traditional “legitimate venues,” they focus on creating a more ideal music community in Boston, one that features greater interaction between the people putting on the shows, attending the shows, and playing the shows.

In addition to the shows they put on, Dan and Sam, through the BRAIN Arts Organization, are leading efforts to bring more small to mid-size performance spaces, affordable living space, and affordable work / practice space to the Boston area.

They are working to open a “volunteer run, multi-functional space constantly filled with music and art, and offering workshops to volunteers and community members.”


If you’re interested in getting involved with what Dan and Sam are working on, contact them at bostonhassle[@]gmail.com.

4/9 RYE COALITION: The Story of the Hard Luck Five @ The Somerville Theatre

Rock Shop is pleased to present the Boston premiere of Rye Coalition: The Story of the Hard Luck Five at The Somerville Theatre on Thursday, April 9, 2015 at 8pm:

We are honored to be joined by director Jenni Matz, who will be available after the film to answer questions and tell some stories about Rye and the film.

Tickets are available HERE. FB event is HERE.


 

Like countless rockers before them, Rye Coalition were childhood best friends who started a band in a basement with a couple simple goals in mind: have fun and play good music. As one of the first bands to develop the new “emo” sound, they were at the forefront of a movement that included Shellac, Sunny Day Real Estate, Jawbreaker and Karp (with whom they later recorded a legendary 12″ split). Rye Coalition’s first recording was a demo cassette tape (1994’s “Dancing Man”, self-released), backed by an East Coast tour in a beat up school bus long before most of them had their driver’s license. As their talent and fan base grew, they released albums on indie labels and toured the country for over ten years on bigger and bigger bills: (At The Drive-In, Mars Volta, Queens of the Stone Age).

After gaining momentum from 2002′s “On Top” LP, engineered by Steve Albini, they were signed to Dreamworks Records and none other than Dave Grohl (Foo Fighters) came on as their producer. Then, it all imploded.

Supplemented with the band’s own home movies, the filmmaker has continuously documented these singular rockers for over a decade, brazenly chronicling choice moments with Rye Coalition (and those who know them well) on tour, at home and in the studio. Although the band was praised by critics and supported by an absurdly dedicated grassroots fan base, somehow these Jersey rockers never got their due. Until now.

Featuring: Steve Albini (Shellac), Dave Grohl (Foo Fighters), Tim Green (Nation of Ulysses), Jared Warren (Melvins). 2014; 77 minutes. Dir. Jenni Matz. 


Winner, Best Documentary Film, New Jersey International Film Festival 
Winner, Best Rock Documentary, AMFM Film Festival 
Winner, Best Music Documentary, Kingston Film Festival (2014).
Winner, Best Local Film, Golden Door Film Festival 
Winner, Best Director- Feature Documentary, AC Cinefest


Rock Shop was started by Kevin Hoskins and Steve Theo (of Pirate!) as a gathering to give back to the music community by hosting discussions, guest speakers, and panels on topics we feel would benefit artists and bands.

We gather to meet new people and discuss topics relevant to bands, artists, and the music community.

More information on Rock Shop is here and you can view a list of past of topics here. You can follow us on Twitter here.